company
BEYOND HISTORY
TO LAND ON THE FANTASTIC
A new philosophy guides Zermat’s quest to offer handles and accessories that see their origin in history and to imagine the future with the fantastic.
Zermat, with its creations, wants to be the protagonist of a new way of experiencing architecture outside the set patterns and explore new emotions. The search for an exclusive and rich language that approaches the most sophisticated trends in interior design and architecture with an attention to detail that makes each one a single work of high craftsmanship, inimitable and original.
Zermat Italia provides a complete line of door handles, gate handles and window handles including accessories and hardware designed and manufactured exclusively in Italy.
The richness of design and the quality of craftsmanship reflect the evolution of an artistic culture, strengthening and confirming the guarantee of “Made in Italy.”
Each individual piece, made of die-cast and handcrafted brass, is unique and unrepeatable.
NEWS
- Xenia: Zermat’s vision of the future.
Connectedness and latticework are the basic building blocks for understanding current and future reality. Evolving… - Zermat: the search for a product that goes beyond history and lands on the fantastic…
Zermat is The Frascio Brand that wants to meet new architecture by exploring new trends… - Zermat the Frascio brand shows up at BIG 5 in Dubai
Frascio is presenting Zermat at BIG 5 in Dubai scheduled for Dec. 4-7, the most…
TRACES OF INSPIRATION
There are four chapters with which Zermat deals: the Baroque, the Neoclassical, the Deco, and the Future. Each chapter represents a specific style, a trace of inspiration, a way of interpreting space with history, contemporaneity, and a glimpse into the future.
Zermat’s creations can be the starting and ending point of a design thought where exclusivity reigns supreme and where the product identifies with the emotion of a space to be experienced…
research chapters
chapter
THE BAROQUE.
Characterizing the Baroque style is the search for movement, energy, accentuating the dramatic effect of the works through the strong contrasts of light and shadow in both sculptures and paintings.
chapter
THE NEOCLASSIC
For Winckelmann, true art was Greek art for which “the only way to become great and, if possible, inimitable, is to imitate the ancients.” Imitation of the ancient meant, for the neoclassical artist, a source to draw on, in form and content, as an aesthetic model for the representation of contemporary ideals and scenes.
chapter
THE DÉCO
DÉCO (arts deco). A term used to designate the style popular in Europe and the United States since the 1920s, characterized by classical and measured forms with a modernist, geometric, and precious taste.
chapter
THE FUTURE.
Connectedness and latticework are the basic building blocks for understanding current and future reality. Evolving dynamic elements that manifest themselves in both the microcosm and macrocosm, becoming coding tools both at the cellular level and in the great spaces. Characteristic of these forms are their endless chains of elements that are continuously repeated and remodeled in time and space.
